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Booth #504

C.G. Boerner LLC | New York City, US

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C.G. Boerner is an art dealership that has focused on prints and drawings of the finest quality since it was founded in Leipzig in 1826. With offices today in Düsseldorf and New York, we work with museums and private collectors worldwide. While our reputation is chiefly based on our specialist knowledge of such old masters as Schongauer, Dürer, and Rembrandt as well as of the prints and drawing by the German Romantics, we also deal in prints by other important European artists, among them Mantegna, Burgkmair, Piranesi, Goya, and Degas. Additionally, we have handled exceptional works by American printmakers, including Whistler, Cassatt, Hopper, and Bellows.

Image:

Jan Theodor de Bry, The Triumph of Christ. Engraving on silk

Image:

Edgar Degas, Les Saules - Willow Trees. Monotype

We are looking forward to seeing everyone at the New York Print Fair at Javits Center from October 26–29. You will find as at booth 504, as always next to our friend and colleague Harris Schrank.
For details, please email armin(at)cgboerner.com or fcschmid(at)cgboerner.de

Exhibiting Artists

HENDRICK GOLTZIUS, Apollo, 1588

engraving; 347 x 259 mm (13 5/8 x 10 3/16 inches)

ISRAHEL VAN MECKENEM, Saints Simon and Matthew

engraving; 212 x 142 mm (8 3/8 x 5 9/16 inches)

CLAUDE MELLAN, St. Francis, 1638

engraving; 445 x 290 mm (17 1/2 x 11 3/8 inches)

JACQUES BELLANGE, The Death of Portia, after 1613

etching with stippling and engraved inscription; 243 x 188 mm (9 1/2 x 7 3/8 inches)

HANS BURGKMAIR THE ELDER, Lovers Surprised by Death, 1510

chiaroscuro woodcut printed from three blocks; 208 x 148 mm (8 3/16 x 5 3/4 inches)

KATE MCCRICKARD, New Romantics (Ghosted II), 2022

drypoint printed in black ink, 500 x 420 mm (19 11/16 x 16 9/16 inches)

EDGAR DEGAS, Les Saules – Willow Trees, ca. 1877–80

monotype; 117 x 161 mm (4 5/8 x 6 5/16 inches)

ANDREA ANDREANI, The Virgin and Christ Child with the Infant John the Baptist, 1585

chiaroscuro woodcut from four blocks; 435 x 347 mm (17 3/16 x 13 11/16 inches)

CHRISTOFFEL JEGHER, Portrait of a Bearded Man – The Doge Giovanni Cornaro, ca. 1630

chiaroscuro woodcut from four blocks; 285 x 214 mm (11 ¼ x 8 7/16 inches)

JOHANNES LUTMA THE YOUNGER, Johannes Lutma Aurifecx, 1656

etching with some punchwork; sheet: 260 x 218 mm (10 3/16 x 8 1/2 inches)

JOHANNES LUTMA THE YOUNGER, Posteritati Ianus Lutma, ca. 1681

punchwork engraving (opus mallei); 304 x 210 mm (12 x 8 1/4 inches)

MARTIN SCHONGAUER, Ornament with Parrots and Birds, before 1474

engraving; 108 x 154 mm (4 1/4 x 6 1/16 inches)

ANTON WÜRTH, Über Schongauer, 2023

engraving; 177 x 123 mm (7 x 4 13/16 inches), edition of 15

ALBRECHT DÜRER, Christ before Annas, ca. 1508-09

woodcut; 132 x 102 mm (5 3/16 x 4 inches)

JOHANNES WIERIX, Melencolia I, 1602

engraving; sheet: 252 x 200 mm (9 15/16 x 7 13/16 inches)

ANTONIO DA TRENTO, The Virgin and Child with Saint John the Baptist, ca. 1527-30

chiaroscuro woodcut from two blocks

HENDRICK GOLTZIUS, The Dragon devouring the Companions of Cadmus, 1588

engraving; sheet: 258 x 322 mm (10 1/8 x 12 11/16 inches)

MARCELLE HANSELAAR, Judith and Holofernes, 2022

aquatint etching; from: RAW – Rebel Woman from the Apocalypse, edition of 30

FRANCOIS BOURLIER, River God, after Giulio Romano

engraving; 226 x 347 mm (8 3/4 x 13 11/16 inches)

MARGARETHE GEIBEL, Goethehaus-Zyklus: Gelber Saal, 1909

color woodcut from five blocks on Japan paper; 280 x 319 mm (11 x 12 9/16 inches)

ORAZIO BORGIANNI, Lamentation over the Body of Christ, 1615

etching; 233 x 223 mm (9 3/16 x 8 3/4 inches)

PAUL GAUGUIN, Le Calvaire Breton – Wayside Shrine in Brittany, 1898–99

woodcut on tissue-thin ivory-toned Japan paper; 152 x 228 mm (6 x 9 inches)

DUTCH, 18th century, The Shop of the Stock Boys gives pleasure and sorrow in stealing, 1720

etching; plate 438 x 332 mm (17 ¼ x 13 1/16 inches)

REMBRANDT HARMENSZ. VAN RIJN, The Star of the Kings: A Night Piece, ca. 1651

etching, with touches of drypoint; sheet 99 x 148 mm (3 7/8 x 5 13/16 inches)

PIETER NOLPE, Allegory on the Discord in France, 1638

etching; 293 x 386 mm (11 9/16 x 15 3/16 inches)

REMBRANDT HARMENSZ. VAN RIJN, The Descent from the Cross by Torchlight, 1654

etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches)

LUCAS CRANACH THE YOUNGER, Philipp Melanchthon, 1558

woodcut; 272 x 213 mm (10 11/16 x 8 3/8 inches)

HENDRICK GOUDT, The Mocking of Ceres, 1610

engraving; 326 x 252 mm (12 13/16 x 9 15/16 inches)

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