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Allinson Gallery | Storrs, US

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Welcome to Allinson Gallery, Inc. We have been in business since 1978, and specialize

in American, British, and Continental fine prints, drawings, and watercolors in the

Painter-Etcher tradition from 1850 to 1950.

 

The gallery has maintained an online presence since 1982. That was an exciting time

when e-commerce was beginning. Questions were raised, such as “Would collectors

consider art that they had not seen in person?” “Was the internet a fad?” “Would banks

provide credit cards to galleries that sold works internationally?” “Was art too exalted to

be offered online?” It took nearly a decade to prove that the web was a viable venue for

the art world.

 

Jane Allinson has a Ph.D. in medieval studies. She has curated museum exhibitions,

published several articles, and co-authored two books on the Philippine painter,

Fernando Amorsolo y Cueto. Seven Deadly Sins is a collaboration of her irreverent

poems and mixed media prints by Ann Chernow, N.A.

 

Derek Allinson, Ph.D. is an emeritus professor from the University of Connecticut. He is

revising the catalog raisonné of Sir Frank Short, R.A., P.R.E., R.I., who belonged to the

artistic circle of Whistler, Haden, and their contemporaries.

 

Allinson Gallery, Inc. publishes online thematic exhibitions: The Artist Pictured, Fine

and Not-so-Fine Dining, Gargoyles, and Devils, I’ve Been Framed, Italy: An Artful

Journey, Prints and Drawings, A Spanish Holiday, and New York in Fine Art. Allinson

Gallery, Inc. sends forth enthusiastic thematic online print catalogs.

Image:

Martin Lewis, N.A. Glow of the City. Courtesy Allinson Gallery, Inc.

Image:

Allinson Gallery, Inc. office. Courtesy Allinson Gallery, Inc.

Fascinatin’ Manhattan

Hooray! It’s time for celebratin’
Magical Manhattan, with scintillating
Fine art, exhibited online
Enshrined in etchings’ elegant line,
Featuring fine prints by Martin Lewis
Whose New York scenes are always iconic:
Glow of the City: a dreamer, clothesline,
Structures o’er which the Chanin Building shines.
If the heights make you queasy,
In Relics, you’ll visit a speakeasy.
In Bay Windows, the ‘El and Stoops in Snow
Pavement’s slippery – so mind how you go.
At Two A.M. three young ladies do roam,
Hopper’s East Side mom is sewing at home.
Landeck’s Demolition, Approaching Storm,
York Avenue, Rooftops, and Manhattan Nocturne,
Cook’s atmospheric pastel, Skyscrapers
Show no noisy crowds or nosy neighbors
You can almost hear the whispers and speech,
In Marsh’s crowded Coney Island Beach.
Sloan’s busy New York scenes are full of hints
Of life and love for Connoisseurs of Prints.
Wengenroth’s lithograph shouldn’t be missed:
From the Weather Bureau: New York in the mist.
Bone, Eby, Lewis, Pennell: eruption
Of Manhattan’s skyscraper construction:
AT&T, Standard Oil, One Wall Street,
Shelton, Tudor City, One Vanderbilt.
At Lewis’ Cathedral Steps, you can pray,
Bay Windows, Hassam’s Church Across the Way,
Arms’ Woolworth Building’s a foil to evil,
It’s titled: American Cathedral.
Be sure not to miss Lady Liberty
Captured by Nevinson, Allinson, Erte.
Other river views afford you riches:
Manhattan, Brooklyn, Williamsburg bridges,-
Both the East River and the wide Hudson
Show busy marine traffic in fluxion.
If this rapid trip has made you queasy,
It’s time to relax and take it easy,
Explore the Print Fair, raise a glass of wine,
Visit Allinson Gallery online.

Exhibiting Artists

Deirdre Allinson, M.A.. Born 1968.
John Taylor Arms, N.A., A.R.E. 1887-1953.
Sir Muirhead Bone. 1876-1953.
Howard Norton Cook. 1901-1980.
Romain de Tirtoff (Erté) 1892-1990.
Kerr Eby, N.A. 1889-1946.
Gerald K. Geerlings. 1897-1998.
Frederick Childe Hassam, N.A. 1859-1935.
Edward Hopper, N.A. 1882-1967.
Otto Kuhler. 1894-1977.
Armin Landeck. 1905-1984.
Martin Lewis, N.A. 1881-1962.
Martin Lewis, N.A. 1881-1962.
Christopher Richard Wynne Nevinson., N.E.A.C., A.R.A 1889-1948.
Joseph Pennell, R.E., N.A. 1857-1926.
Louis Conrad Rosenberg, N.A. 1890-1983.
Louis Conrad Rosenberg, N.A. 1890-1983.
Edward Howard Suydam. 1885-1940.
Edward Howard Suydam. 1885-1940.
Stow Wengenroth, N.A. American. 1906-1978.
Lawrence Nelson Wilbur. 1897-1988.
Lloyd William Wulff. Born 1913.

Glow of the City, Martin Lewis, 1929.

Drypoint,11 1/2 x 14 3/8, Edition 110. POR

East Side Interior, Edward Hopper, 1922.

Etching and drypoint, 7 7/8 x 10, No published edition. POR

Relics (Speakeasy Corner), Martin Lewis, 1922

Drypoint, 11 7/8 x 9 7/8, Edition of 111. POR

Bay Windows, Martin Lewis,

Drypoint and sandpaper ground, 11 5/8 x 7 7/8 .Edition 104. POR

Stoops in Snow, Martin Lewis, 1930.

1930. Drypoint and sandpaper ground, 9 3/4 x 14 3/4. Edition 115.

Snow on the 'El'., Martin Lewis, 1931

Drypoint and sandpaper ground, 14 x 8 7/8, Edition 4.

Two A.M., Martin Lewis,1932.

Drypoint, 8 3/4 x 14 3/4, Edition 44.

Quarter of Nine, Saturday's Children, Martin Lewis, 1929.

Drypoint, 9 3/4 x 12 3/4, Edition 107.

Cathedral Steps, Martin Lewis, 1931.

Drypoint, 10 1/2 x 16 3/4, Edition 42.

Shadows on the Ramp, Martin Lewis, 1927.

Drypoint and sand ground, 9 x 10 1/2, Edition 75 .

Spring Night, Greenwich Village, Martin Lewis, 1930.

Drypoint and sand ground, McCarron 85. 10 x 12 3/8, Edition 92.

Yorkville Night, Martin Lewis, 1947.

Drypoin, 8 1/2 x 11 3/8, Edition 18.

Approaching Storm, Manhattan, Armin Landeck, 1937.

Etching and drypoint, 7 1/8 x 11 7/8, Edition 100. $2,000.

Manhattan Nocturne, Armin Landeck, 1938.

Etching and drypoint, 7 1/8 x 11 7/8, Edition 100. $2,000.

York Avenue, Sunday Morning, Armin Landeck, 1939.

Drypoint, 7 3/4 x 12 7/8, Edition 10. $2,500.

American Cathedral (The Woolworth Building), John Taylor Arms, 1921.

Etching, 17 x 6 5/8, Edition 75.

Manhattan Excavation,, Sir Muirhead Bone, 1923-28.

Drypoint, 12 3/8 x 10 1/4, Edition of 40 in this state (total 151 impressions in 19 states).

The Church Across the Way, Frederick Childe Hassam, 1916.

Etching, 8 1/4 x 4 3/8, No published edition - scarce.

Looking Down on Downtown from the Railway Club, 1921, Christopher Nevinson, 1921.

Drypoint, 7 7/8 x 5 1/4.

Two A.M. - A Corner by Madison Square at Night. also titled Three A.M. - Metropolis, Christopher Nevinson, 1920.

Drypoint, 9 7/8 x 6 7/8.

Temples of New York, Christopher Nevinson, 1919.

Drypoint, 7 3/4 x 6. Edition 50.

From the Ferry, Christopher Nevinson, 1921.

Drypoint, 7 3/8 x 4 7/8, Edition 50.

Looking Through Brooklyn Bridge, Christopher Nevinson, 1921.

Drypoint, 9 1/4 x 6 7/8, Edition 50.

Sunset from Williamsburg Bridge, Joseph Pennell, 1915.

Etching, 8 1/2 x 11, Edition 100.

Cityscape Reflections - Study No. 1, Gerald Geerlings, 1980.

Pastel and pencil drawing. 8 x 4 15/16. Unique.

From the Weather Bureau. New York, New York. February, 1940, Stow Wengenroth, 1940.

Lithograph printed in black and cream, 10 1/8 x 17, Edition 40 in this state (total edition 43).

September Morning: The First Ferry, Joseph Pennell, 1929.

Watercolor. 10 1/8 x 13, Unique.

Lady Liberty, vertical, Deirdre Allinson, 2013.

5ilver gelatin photo shot in infrared, 24 x 16, Edition: 75 silver gelatin photos printed on Ilford Galerie fiber based digital silver paper and 100 on a Chromaluxe metal panel. $950.

Statue of Liberty (Day), Romain de Tirtoff (Erté), 1986.

Seriagraph with embossing and hand stamping, 28 x 20, Edition 300, #248.

Statue of Liberty (Night)., Romain de Tirtoff (Erté), 1986.

Seriagraph with embossing and hand stamping, 28 x 20, Edition 300, #249.

Through the Bridge: A view of Manhattan and Brooklyn through the Manhattan Bridge, Deirdre Allinson, 2015.

Infrared Silver gelatin photo, 24 x 36. (Matted and framed). Edition: 50 silver gelatin photos printed on Ilford Galerie fiber based digital silver paper. $2,500.

The City in 1915 (The Unbelieveble City, No. 2), Joseph Pennell, 1915.

Etching, 8 1/4 x 10 3/4, Edition probably 75.

No. 1 Wall Street, Kerr Eby. 1930.

Etching and sandpaper ground, 16 x 10 3/8,. Trial proof No. 5, previous to the edition 90

Skyscrapers, Howard Norton Cook, c. 1950.

Pastel, 29 3/4 x 19 7/8. Unique.

Standard Oil Building, Joseph Pennell, 1923.

Etching, 12 1/4 x 9 1/4. Edition probably 50.

Manhattan Mountains, Lawrence Nelson, Wilbur, 1938.

Etching and drypoint, 14 3/4 x 12 3/8. 'Final' previous to the edition 40.

Mirrored Sky. (One World Trade Center), Deirdre Allinson, 2013.

Silver Gelatin photo,24 x 16. Edition: 50 printed on Ilford Galerie fiber based digital silver paper and 50 on a Chromaluxe metal panel. $1,200.

Out of My Window. (Vista; My Own; De Ma Fenêtre), John Taylor Arms, 1916.

Etching, 7 x 5 9/16, Edition 75

Roofs, Summer Night, John Sloan, 1906.

Etching, 5 1/4 x 7, Edition 100.

Coney Island Beach #1, Reginald Marsh, 1939.

Engraving, 9 3/4 x 12, Edition of 17 lifetime impressions.

Fourteenth Street. The Wigwam. (Tammany Hall), John Sloan, 1928.

Etching, .9 3/4 x 7, From the first printing of 100 proofs by Peter Platt.

The Show Case, John Sloan, 1905.

Etching, 5 x 6 15/16, Edition 100.

The Little Bride, John Sloan, 1916.

Etching, 4 7/8 x 6 3/4, Edition100.

Fifth Avenue Critics, John Sloan, 1916.

Etching, 8 x 6, Edition 100.

Burlesque Girl, William Lloyd Wulff, 1938.

Lithograph, 10 1/4 x 11 3/8, Edition 28, #16. Federal Arts Project blindstamp.

On the Roof Garden, Christopher Nevinson, 1919.

Mezzotint, . 8 1/4 x 4 5/8. Edition 50.

The Box at 'Faustus', Diana Thorne, 1929.

Drypoint. 11 x 8 7/8. Edition 100, #39.

The Lafayette, John Sloan, 1928.

Etching, Morse 233/vi. 4 7/8 x 6 7/8, Proof prior to the intended edition of 100.

Connoisseurs of Prints, John Sloan,1905.

Etching, 5 x 6 7/8, Edition 100.

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