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Hauser & Wirth | New York City

Hauser & Wirth is a leading international gallery devoted to contemporary and modern art. Founded in1992, the gallery now has spaces in Zurich, London, Somerset, New York, Los Angeles, Hong Kong and beyond. In fall 2023, Hauser & Wirth opened its first dedicated Editions space, located at 443 West 18th Street, New York.

 

Hauser & Wirth is delighted to return to the IFPDA Fine Art Print Fair with an exceptional selection of contemporary and historical works reflecting the gallery’s diverse international program and ongoing support for collaborations between artists and master printers. For the fair’s return to the Park Avenue Armory, Hauser & Wirth will present new prints by Rita Ackermann, George Condo and Amy Sherald, works by such contemporary artists as Mark Bradford, Nicole Eisenman, Charles Gaines, Mary Heilmann and Takesada Matsutani, and historical masterpieces by Ida Applebroog, Louise Bourgeois, Dieter Roth and David Smith.

Image:

Amy Sherald, As Soft as She Is..., 2023, 70-color screenprint on Lana Aquarelle 600gsm, Ed. of 35 + 10 AP, Image: 102.23 x 81.28 cm / 40 1/4 x 32 in © Amy Sherald. Courtesy the artist and Hauser & Wirth. Photo: Sarah Muehlbauer

Image:

Rita Ackermann, How the West Was Won 1, 2023, 25-color screenprint with collage on 4ply museum board mounted on Saunders watercolor paper 425gsm, Ed. of 15 + 5 AP, Image: 68.6 x 91.4 cm / 27 x 36 in © Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Sarah Muehlbauer

Exhibiting Artists

Rita Ackermann
George Condo
Amy Sherald
Mark Bradford
Nicole Eisenman
Charles Gaines
Mary Heilmann
Takesada Matsutani
Ida Applebroog
Louise Bourgeois
Dieter Roth
David Smith

How the West Was Won 2, Rita Ackermann, 2023
20-color screenprint with collage on 4ply museum board and Coventry rag mounted on Saunders watercolor paper 425gsm, 68.6 x 91.4 cm / 27 x 36 in, Ed. of 15
How the West Was Won 1, Rita Ackermann, 2023
25-color screenprint with collage on 4ply museum board mounted on Saunders watercolor paper 425gsm, 68.6 x 91.4 cm / 27 x 36 in, Ed. of 15
As Soft as She Is..., Amy Sherald, 2023
70-color screenprint on Lana Aquarelle 600gsm, 102.23 x 81.28 cm / 40 1/4 x 32 in, Ed. of 35
Diagonal Composition, George Condo, 2023
Hard ground etching with drypoint on Hahnemuhle Copperplate Bright White Paper, 30.5 x 25.4 cm / 12 x 10 in, Ed. of 35
Isländische Landschaft III (Icelandic Landscape III), Dieter Roth, 1973
Intaglio printing (halftone black) on white handmade paper, 42.2 x 39 cm / 16 5/8 x 15 3/8 in, Ed. 16/30
American Medical Association II, Ida Applebroog, 1985
Linocut, handwash, rice paper; diptych, 73.7 x 53.3 cm / 29 x 21 in, Edition of 15
Color Regression #1 #2 #3, Charles Gaines, 1978-1980
Lithograph on paper, 3 sheets, Each: 71.1 x 80.7 cm / 28 x 31 3/4 in, LP 3/5, Ed. of 30 + 10 AP, 2 PP, 5 Landfall Press Impressions
QUARANTANIA, Louise Bourgeois, 1990
Portfolio of nine etchings on paper, 47.3 x 32.9 cm / 18 5/8 x 13 in, Ed. 46/50 + 10 AP
Honey Bear, Nicole Eisenman, 2018
Collagraph, 58.1 x 48.3 cm / 22 7/8 x 19 in, Ed. 11/20 + 6 AP
Machine Learning Kiss, Nicole Eisenman, 2020
Collagraph, 50.5 x 50.5 cm / 19 7/8 x 19 7/8 in, Varied ed. 11/25
Cercle 16-3, Takesada Matsutani, 2016
Etching on BFK paper, 90 x 63 cm / 35 3/8 x 24 3/4 in, Ed. 15/20
Untitled, Mary Heilmann, 1992
Etching on Somerset wove paper; portfolio of three prints, 38.1 x 27.9 cm / 15 x 11 in 44.3 x 33.5 x 3.8 cm / 17 1/2 x 13 1/4 x 1 1/2 in (framed) each, Ed. 14/35
Untitled, David Smith, 1952
Lithograph, 72.7 x 62.5 x 3.8 cm / 28 5/8 x 24 5/8 x 1 1/2 in (framed), Edition of about 17
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